Ever since The Hunger Games was released as a movie, I’ve read a number of blog posts about why dystopian novels are not the blog author’s favorite type of story. But I am, quite frankly, fascinated by dystopian novels.
First, there’s that word, dystopian. It rolls off your tongue in a weird, uncomfortable way, doesn’t it? According to dictionary.com, a dystopia is “usually an imaginary place where people lead dehumanized and often fearful lives.” Let’s look at some of the best ones:
In Orwell’s classic, 1984 (yeah, he was off in his timing!) the world is one in which books are banned – not just censored, but banned, forbidden, so there are small groups of rebels and outliers who spend their days memorizing books.
Blade Runner, probably one of Philip K. Dick’s best novels, became a movie of the same name in 1982 and was one of the first movies in which Harrison Ford played the protagonist. It depicts Los Angeles in 2019 (that’s six years from now!) in a world where corporations are king.
A Wikipedia summary: The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants —visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other “mega–manufacturers” around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on off-world colonies. Replicants who defy the ban and return to Earth are hunted down and “retired” by police special operatives known as “Blade Runners”. The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt-out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down.
The Road by Cormac McCarthy. I read this book in two sittings. McCarthy is a powerful writer and I was blown away by this book. It‘s a strange, post- apocalyptic story about a father and son – who are never named, they are simply man and boy – as they travel through a ruined landscape in search of…well, hope. We have a heartbreaking sense of their relationship, of how the father will do anything to protect his young son. McCarthy won the Putlizer prize for this novel and it went on to become a movie with Viggo Martenson. The movie wasn’t nearly as moving as the book. I should add that Rob found this book so depressing he couldn’t finish it.
The Hunger Games by Suzanne Collins, and yes, it also became a movie. It’s the first in a trilogy about a world that has suffered some terrible calamity and in its wake, North America has been divided into 12 districts ruled by an oppressive government. The Hunger Games are an annual event in which one boy and one girl ages 12–18 from each of the twelve districts are selected by lottery to compete in a televised battle to the death. In other words, kids killing kids.
What I found most interesting about the trilogy and the subsequent movies is that this trilogy is for young adults because the protagonist is a 16-year-old girl. That means it’s okay to show kids killing kids, but these same kids can’t swear or have sex. Really? Kids killing other kids is okay, but kids having sex or saying shit is not?
There are many other dystopian novels – Stephen King’s Running Man, Philip K Dicks’s Minority Report, and Scott Westerfield’s series that begins with The Uglies. A good number of them are young adult books, but for the moment let’s focus on these.
1984 made us aware of literary censorship and probably helped to spawn many of today’s anti-censorship organizations. When a book is censored, attention is brought to who and why. The American Library Association publishes annual lists of censored books and all the relevant details.
Blade Runner may actually be happening now, with the recent whistleblower revelations by 29-year old high school dropout Edward Snowden. This young man worked for the NSA through an outsourced company and you can read all about him here. Is he a version of the Ford character in Blade Runner ? Is he a hero or a traitor?
The Road is a literary journey through a world where anarchy rules, nearly everyone is dead, and the survivors are desperate. The emotional relationships between father and son is what makes the story work.
In all dystopian novels, we are presented with a horrifying what if, a probable path, and are invited to live it. As we read, as we watch, we are confronted with the very thing we do NOT want. We are presented with shocking contrasts. I think dystopian novels reveal the probable futures that are available to us as a species, and help us to collectively strive for something better, more positive, more humane.
These novels and movies impact us at a collective level, and often force us, individually and collectively, to evolve as human beings. They teach us things about who we are and hope to become.

















