Richard Matheson. His name may not have the same recognition as King, Rowling, and Koontz, but you can bet each of these writers learned something from this guy. He was a master storyteller.
In the late 1950s, when we lived in an oil camp in Venezuela, the weekend entertainment was an English-speaking movie projected onto a wide white screen in the middle of a tennis court. I remember sitting in that court with my friends, to watch The Incredible Shrinking Man, based on Matheson’s novel, The Shrinking Man.
The premise is simple, the emotional resonance is anything but: a man and his girlfriend are on a sailboat one day when a mist or fog envelops the boat. The woman ducks into the cabin, the man stands out there in the mist/fog as its pierces his chest. From this moment forward, he begins to shrink.
The gist of the movie/novel, the core of the storytelling, is about how it feels to physically shrink, as the protagonist does, and what it does to you emotionally, spiritually, and well, how it impacts you closest relationships. I think I was ten at the time. That I can still remember this movie, the story, is a testament to Matheson’s ability to take some outrageous thing- A MAN SHRINKING – and make it so emotionally real that we imagine ourselves as that shrinking man.
Matheson also wrote for Rod Serling’s The Twilight Zone, one of my favorite old time goodies, which was broadcast in both English and Spanish on Venezuelan TV. His specialty, really, was the what if scenario. From the NY Times: “After the unsettling experience of being tailgated by a truck driver, he wrote the short story “Duel,” about a motorist who is relentlessly stalked in a highway chase by a tractor-trailer, its driver unseen. The story became the basis for Steven Spielberg’s first feature film, starring Dennis Weaver.
Other Matheson classics include, Somewhere in Time, What Dreams May Come, and I Am Legend.
Matheson was a writer’s writer, you could read his novels and stories and watch his movies and learn how to construct a story. You could learn about dialogue because he was also a screenwriter, and you could learn about characterization because he understood the human condition.
Back in the 1990s, our friend Ed Gorman asked Matheson to blurb one of my books and he did! I can’t recall which book it was for, but I was floored and humbled that I’d gotten a blurb from one of the writers whose works had been with me since I was just ten.
In What Dreams May Come, a novel and movie based on his research into the Seth material and the work of Raymond Moody and others, Matheson illustrated what the afterlife might be like. I hope he’s experiencing that fluid beauty now – minus the angst that Robin Williams went through!
RIP, Richard Matheson. Thank you for that blurb – and for the many years of what if stories. You impacted my life in ways both small and great. You expanded my idea of what is possible – as a human being but, most of all, as a writer.

















