One of our daughter’s jobs is as an artist with Paint Nite, a company that began in Boston. As an art major in college, this job is great for her. The concept of Paint Nites is brilliant and simple: anyone can learn to paint in a relaxed atmosphere (bar), when a “master artist” leads the class, step by step, in how to paint a particular image. Paintings are chosen by the corporate headquarters and artists are encouraged to submit their own paintings for consideration. They are well-compensated for these events and earn money on the images they’ve created when they are used by Paint Nites in other cities.
Since Megan first started with this company last year, Rob and I have been students in her practice classes here at the house. So it was fun to actually attend a paint nite that she taught.
This one was held at a bar/restaurant called Grafitti Junction, in the college park area of Orlando. The event started at 5 and ran until 7, but we arrived at 4 so Megan could help with the set up.
When we walked into the back room of the restaurant, I was impressed at how well-organized everything was. At each of the 25 or so spots that had been set up, there were: a small easel with a 16×20 canvas on it; 3 paint brushes (small, medium, large), a plastic glass filled with water for cleaning your brushes, paper towels for drying the brushes, and a paper plate with blobs of acrylic paint in the colors that would be used for the night’s particular painting (featured above). Draped over the back of each chair was a lime green apron to put on so the paint didn’t get on your clothes. The color matched the fabric draped over all the tables and bar.
While Megan helped with the setup, Rob and I found a table outside and got a bite to eat. The weather was gorgeous – mid-60s, sunny. At 4:45, we went inside, took the chairs we’d claimed earlier, and the event started promptly at five. The painting we did was called Lily Pads.
I was thinking that the night before, when Megan had been practicing this painting, she’d gone through three canvasses (artist meltdown!) before she figured out how to teach it. But as she took her spot at the front of the room the evening of the event, and started talking, there was no trace at all of that angst. She had figured it out. And wow, did it ever work.
The class was small – 16 – four men, a dozen women – and Megan, her assistant, and the bartender. She took us through the process – background color is apparently key to everything else – and these people had fun as their creativity was released. It’s amazing to me that a group of people come together for a creative purpose and that within a few hours, they can take home something to hang on their walls.
How can writers do something like this? How would you even know where to start with the written language?
One of the most interesting participants was a man with a bald head festooned with an elaborate tattoo. He’s a tattoo artist, but has never painted. I snapped a picture of his head:
Before the end of the event, I understood a synchro that had occurred before we’d left Megan’s apartment that afternoon. She has a new roommate and one of the things Caitlan brought with her was a cool coffee table with a chalkboard surface. Using a piece of yellow chalk, Rob had written: Wherever you go, there you are. He pointed it out to Megan and she burst out laughing.
“Wow, this is a synchro. My friend Ryan wrote exactly same thing the other night.” She moved some papers around and showed us the faded writing. Sure enough, same words, and strangely similar handwriting (which didn’t show up in the picture I took).
In an odd way, these words fit everything Paint Nites is about. In spite of the issues we human beings have, in spite of the state of the world or the universe or whatever, we are where we are and let’s enjoy it. Even if you’ve never painted anything in your entire life, you enter into this venue and your creative passions take over. Your muse rules the roost.
Wherever you go, there you are. A wise code to live by.





















