Right now, we’re working on our new book, The Synchronicity Highway. I was doing some research on telekinesis – also known as psychokinesis or PK – which is mind-matter interaction, the movement of or effect upon matter through nothing more than the power of mind. Hollywood loves this stuff. Think Carrie, The Fury, the X-Men, Matilda, Firestarter…
One of the most famous telekinetics in the 1970s and 1980s was Uri Geller, the Israeli spoon bender. He claims his telekinetic powers came from ETs. Maybe they did. Enhanced paranormal abilities are often reported in the wake of UFO encounters and abductions. But Geller’s problem wasn’t ETs: it’s that his credibility was seriously undermined by professional skeptics like James Randi, who insisted Geller’s alleged telekinetic feats were sleights of hand, just stage magic. Even noted scientists attacked him. Richard Feynman and Martin Gardner claimed Geller was fraudulent in his claims.
At some point during 1974, I happened to see Geller on TV one night, at the height of his popularity. He was bending spoons. It fascinated me, watching this guy’s fingers moving up and down the spoon until the curved end started to droop like a wilted flower. I thought how I would love to see him do this in person, close up. About ten years later, I had an opportunity.
Rob and I had been married about a year and happened to be in a South Florida mall, where Geller was demonstrating his telekinetic abilities. We wandered over to the small group that watched -– maybe two dozen people – and were able to move in close to the platform that elevated him somewhat above the crowd. It was hardly Madison Square Gardens!
First he demonstrated the spoon-bending thing and talked about what was happening as he ran his fingers repeatedly over the spoon. We were close enough to Geller to reach out and touch him, so we had an excellent view of the spoon. As we watched, the upper part of the handle started to bend, so that the spoon curved downward, like something out of a Dali painting. Then Geller asked for keys from the audience. People gladly turned over their keys – but we didn’t. We had just seen what he’d done to the spoon and we didn’t intend to get stuck at a mall ten to fifteen miles from home!
As sets of keys were handed over to Geller, as he ran his fingers over them, a tight hush settled over the small crowd. Keys were bent at weird and impossible angles and handed back to their owners, who held them up for everyone to see.
Sleight of hand? We aren’t professional debunkers or magicians, but were close enough to see the metal bend, to see what the keys looked like when the owners dangled them from their raised hands for minutes after Geller returned them. The metal was curved, bent, abnormal.
Some years later, in the early 1990s, we were at a writers’ symposium on censorship in Gainesville, Florida. Science fiction writers Jay and Joe Haldeman – brothers – were also there, along with Martin Caidan, an aviation and aeronautical expert and author of more than 50 books. His 1972 novel, Cyborg, became the basis of the TV series The Six Million Dollar Man and its spinoff, The Bionic Woman.
We got to talking to him because of Indiana Jones. Rob had recently finished writing the sixth of his original Indiana Jones novels for Lucas Films, was burned out on the character, and now Caidan was going to continue the series.
After the symposium, Marty invited us back to his place. He was eager to show us the experiment he’d devised to prove that telekinesis is not only real and possible, but that he himself was telekinetic. The room was on the second floor of his house. At one time, it probably had been a bedroom, but Caidan had redesigned it with a large picture window that looked into an elaborate array of psi wheels. A psi wheel is a pyramid-shaped device that consists of a piece of paper or foil that’s balanced on the tip of a toothpick or needle. The room resembled a field of miniature weather vanes.
He explained that the room was specially sealed against currents of air so that nothing but the power of the mind could cause those psi wheels to turn. As the three of us stood at the window, Caidan went into a trancelike state and focused intently on the psi wheels. For several minutes, nothing happened. Then a couple of the psi wheels began to turn. They weren’t spinning, weren’t going nuts, but were definitely moving without an apparent source or trigger. It looked strangely beautiful and weird, as though we were in the midst of an ongoing psychic opera.
Parapsychologist Loyd Auerbach was a friend of Caidan’s and sometimes accompanied him to demonstrations and workshops. In his June 2004 Fate magazine column, Auerbach wrote, “Martin Caidan was capable of moving things with this mind.”
James Randi offered his rebuttal three months later, saying that in 1994, he had offered to test Caidan’s ability, but that “he frantically avoided my challenge by refusing even the simplest proposed controls.”
What’s interesting about Randi’s comment is his apparent assumption that he is the final authority on whether someone’s psychic abilities are genuine. And since he is a professional skeptic, who makes his living by debunking others, he won’t ever be able to pronounce that anyone is actually psychic because it would make him look bad. Also, he would have to pay the million bucks he has offered to anyone who can prove they are psychic.
Being a skeptic is easy. It’s far more difficult to approach an apparent impossibility with an open mind and investigate what might actually be going on.

















