
Twelve years ago today, Charles Schulz, the creator of the comic strip Peanuts, died at the age of 77, from colon cancer. This may seem like a strange post for Valentine’s Day, but there’re a couple of synchros here that are heart felt.
Schulz drew Peanuts for nearly half a century. That’s a very long time to spend with characters you created, to be involved with their lives, their issues, their relationships. The comic strip was read by 355 million people worldwide, reached readers in 75 countries, in 2,600 newspapers, and 21 languages. The strip, merchandise, and product endorsements brought in $1.1 billion a year. Schulz is said to have earned between $30 million and $40 million a year, doing what he loved. In nearly 50 years, Schultz drew ore than 18,250 comic strips.
“That’s longer than any epic poem, any Tolstoy novel, any Wagner opera,” said Robert Thompson, a professor of popular culture at Syracuse University. Just hours before the last Sunday episode in the saga of Charlie Brown, Lucy, Snoopy, and Linus ran in the Sunday papers, Schultz passed away.
His wife, Jeannie, said, “He had done everything he wanted.”
Lynn Johnston, a friend of Schuz’s and the creator of a strip called For Better or Worse, told the AP: “It’s amazing that he dies just before his last strip is published…It was as if he’d written it that way.”
While Schulz was in the hospital, Johnston recalled a remark he had made: You control all these characters and the lives they live. You decide when they get up in the morning, when they’re going to fight with their friends, when they’re going to lose the game. Isn’t it amazing how you have no control over your real life? But, as Johnston said, ”I think, in a way, he did.”
When I was a kid growing up in Venezuela, I remember that every Sunday morning, my dad would turn first to the comic section in the American newspaper, The Daily Journal, or to the Venezuelan paper, and read Peanuts. He would chuckle or laugh out loud and one Sunday I finally asked what the deal was with this comic strip. He thought a moment, then said: “These characters, in any language, are us, we humans.”
Peanuts became a part of our collective consciousness. His creation wasn’t just confined to the comic section of newspapers. There were books, TV specials, commercials, a rock song, a concerto at Carnegie Hall, his work was even shown at the Louvre. The novelist Umberto Eco wrote the introduction to the first Peanuts book translated into Italian. According to the NY Times, Eco referred to the book as ‘poesie interrompue, or interrupted poetry, “and, using Freud, Beckett, Adler and Thomas Mann to back him up, said, ‘These children affect us because in a certain sense they are monsters; they are the monstrous infantile reductions of all the neuroses of a modern citizen of the industrial civilization.’”
I don’t agree with the monstrous part. But one thing is for sure: Schultz followed his passions, he did what he loved. As the Times article put it, “Snoopy could always be counted on to nap, fantasize and wonder when his next meal would arrive. Charlie Brown, the round-headed blockhead (named after one of Mr. Schulz’s childhood friends, not after the cartoonist himself), could always be counted on to persevere despite constant failure. He once held onto the string of a kite that was stuck in a tree for eight days running, until the rain made him stop. At the time it was the longest run of immobility for any cartoon character. His first home run came after nearly 43 years of strike outs, on March 30, 1993.”
Really? I mean, who couldn’t love these characters?
So it’s strangely fitting that Charles Schulz passed away on Valentine’s Day. The day before he died, he said, Charlie Brown, Snoopy, Linus, Lucy . . . how can I ever forget them?
If that isn’t love, what is?





















