We watched Touch, a new show on Fox, featuring Keifer Sutherland – formerly of 24. The setup is simple: Sutherland is Martin Bohm (any relationship to David?), the single father of an 11-year old son, Jake, played by David Mazouz, who is autistic and mute and can apparently predict the future. One of Jake’s constants is Fibonacci numbers.
The Fox publicity department describes the series this way: “A drama that blends science and spirituality to explore the hidden connections which bind together all of humanity. At the center of this distinctive new series is a widower and single father whose quest to reach his emotionally challenged 11-year-old son will shape the destiny of the entire planet.” The description leaves out a vital element: synchronicity. And yet, synchronicity is the driving force of the plot – the mystical essence – obvious through this pilot/trailer episode.
The father’s last name, Bohm, brings to mind David Bohm, the physicist who believed in a deeper order in the universe, an implicate order, out of which everything else, even time, is born. Andrew Teller (probably a nod to Edward Teller, the theoretical physicist), played by Danny Glover, is an eccentric professor who specializes in children gifted in math and numbers. He helps Sutherland begin to piece things together after his son is institutionalized by child welfare services. His home is on Tesla Avenue. Glover says Jake doesn’t have a need to speak because he can see everything – past, present, future – and can see how we are all interconnected.
The interconnections in this teaser episode involve a restaurant equipment salesman who loses his cell phone, a young man in Iraq, a woman at a cell phone company, and an ex-fireman who wins the lottery. We subsequently discover he is a traumatized ex-fireman who, on 9-11, found Keifer’s wife in the World Trade Center and tried to rescue her. There’s a bigger picture emerging and Jake sees it all, but can only express it in numbers.
There are echoes of Heroes in this show, which isn’t surprising since Tim Kring, who created that show, wrote the script for this. Kring understands connections and synchronicity and we enjoyed the first season of Heroes. But it got to a point where so many characters had such extreme psi abilities that it became unrealistic and we stopped watching. There are also elements of Lost in this show, the essential mystery of what’s going on, what’s going to happen, what it all means.
Everyone is interconnected. The businessman desperately wants to recover his cell phone because it contains his only photos of his deceased daughter. The cell phone operator, in attempting to track down a lost cell phone, connects with the kid in Iraq who is about to become a suicide bomber, using the lost cell phone, which has traveled the world. Even the cell phone operator was recorded singing a song on that phone! The story is complex, multi-layered and moves rapidly.
The connecting numbers involved throughout the scenario are 318, which appear on a lotto ticket, a school bus that crashes and the children are saved by the fireman, who won the lotto! And there’re more number connections.
You’ve got to drop your sense of disbelief, but if you do, it’s quite a ride. A show that addresses synchronicity, psychic ability, and the interconnectedness of humanity in a way that is, ultimately, about a relationship between a father and the son with whom he so desperately wants to communicate. We’ll be tuning in for the premiere on March 19.
Here’s an oddity. The morning after watching the show and getting involved with 318, I (Rob) read an article that included repeated references to 38. They appeared in an article called Uncoiling the Snake, by Glorida Feman Orenstein, which details her journey into shamanism in Lapland. It was sent to us by Lauren Raines, who posts here frequently.
Orenstein was born 3/8/38. Her childhood address was 138 51 Hoover Avenue. She was married on 8/3/58. She visited a sacred site near the North Pole on 8/3/89. March 8 is also International Women’s Day and Orenstein had become a feminist scholar and activist. The last date she saw her mother alive was 8/30/83.
So, far out as the Touch premise might seem for some viewers and reviewers, the above example – vaguely linked numerically to Touch – shows that, yes, such things do happen in real life as well as fiction.















