art by deb komitor
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I’ve been reading a book called The Trickster and the Paranormal by George Hansen, published in 2001. The book is dense, often academically dry, packed with mythological references, theories about what the paranormal is – or isn’t. There’s even stuff about UFOs and encounters. But all of it relates back to the trickster, the vehicle Hanses uses to explore psychic phenomena.
Hansen regards the trickster as deception, a perpetrator of hoaxes, a liar and a cheat – in other words, the person you hope your son or daughter won’t marry! Hansen talks about Jung’s archetypes, but defines it, for the purpose of his book, as “a pattern that can manifest at multiple levels.” He believes the trickster is an archetype, as Jung said, but defined it as an “abstract constellation of characteristics” that includes:
- Loss of status
- Disruption
- Boundary crossing
- Deception
- Violation of sexual mores
- Supernatural manifestations
Hansen isn’t a debunker. He isn’t exactly a skeptic, either. He worked in lab-based parapsychology for eight years, three at the Institute for Parapsychology in Durham, North Carolina, and five years at Psychophysical Research Laboratories in Princeton, New Jersey. By his own admission, he has been personally involved with a number of psychic, UFO, and occult subcultures, and also helped start a skeptic group. “Friends of mine practice ritual magic; others are professional mediums; a number tell me that aliens have abducted them; and still others admit to me privately that they are phony psychics.”
Obviously, this guy isn’t your ordinary researcher. His central thesis is that psychic phenomena are “associated with processes of destructuring.” From what I can gather from what I’ve read so far, “destructuring” seems to be the point where monumental shifts occur in society’s mass beliefs, where we reach a tipping point. Hansen cites the sixties rise of the hippie subculture, for instance, as a period of destructuring. Well, yeah, it was. And the Vietnam war was the pivot on which that destructuring spun. I would venture to say that Occupy Wall Street belonged in this “destructuring” category.
He takes on debunker James Randi, Israeli psychic Uri Geller, UFOs, abductions, shamanism, Houdini, hypnosis, CSICOPS, reincarnation, near-death experiences. In Hansen’s cosmology, all these areas are subject to and often subsumed by the trickster. The biggest problem I have with Hansen’s book, other than the fact that the book is twelve years old and much has surfaced since then, is his definition of the trickster.
The trickster isn’t just about deception. It’s often an in-your-face sort of thing, where we are confronted with our shadow selves. It can manifest itself globally, politically, within organized religion. A politician ior pundit who is against gay marriage, for instance, suddenly changes his stance because his son or daughter comes out as gay. Or he himself turns out to be gay. Hours after Pope Benedict announced his resignation, lightning struck the Vatican. Very Biblical, right? It’s the Cosmic Clown in action.
Yes, the trickster archetype – that clown – can be – and often is – everything in Hansen’s handy list. But it’s also much more. The trickster is sometimes playfully mischievous, as it was when Rob experienced two successive Zen license plates. It can also goof on you, poke fun at you, as it did during this word game. It can hint at a creative path. It can relate to extreme weather phenomenon that seems to be tailored to seize our attention about climate change. And yes, the trickster can be dark, as it was for Heath Ledger and David Carradine. Or global.
The trickster archetype, the clown synchro, has many masks, many manifestations, and they don’t all have negative connotations. The trickster can be an alchemist that teaches us how to mix different elements in our lives to create what we desire. It can be the object or animal (coyote in Native American mythology) that relays a message or brings a communication from the dead (owl, raven). It can be a poltergeist, an ally, a Smeagol in disguise that teaches us something vital about ourselves. It can be wrapped up in something as exotic as an alien encounter and in something as prosaic as a marriage, a friendship, or in something as significant as death.
When my father was dying, he was in an assisted living facility in Georgia where my sister was the head nurse. We had spent all day in his room, organizing his stuff, making sure his favorite classical music played. We talked about him and our mom, about what great parents they were, what wonderful childhoods we had. In short, we verbalized our tribute to them. Around 10:30 that night, Mary and I headed back to her townhouse. We were exhausted, but too wired to sleep. She suggested we split an Ambien, which she normally used to go to sleep.
I was hesitant. Although I’d experimented with my share of drugs in the Sixties, I’ve stayed away from prescription drugs. But I knew I desperately needed to sleep. “I’ll take a quarter.”
Half an hour later, the night nurse at the facility called and said we’d better get there, fast. Dad was failing. At this point, the Ambien had kicked in. When I walked into the dimly building, I felt as though I were walking into a Neptunian world, where nothing is what it seems, where it’s all illusion, a Matrix sort of world, where the veil between the living and the dead is nearly non-existent. He lay there, my dad did, bathed in a surreal light, unmoving, and I felt my mother around, caught the scent of her favorite perfume. In my mind, I saw them dancing.
It’s the Ambien, I thought. But I knew it was the trickster, the Cosmic Clown, enabling me to see his transition, to feel my mother’s presence, enabling me to push through the resistance I had to his death. In astrology, Neptune symbolizes the netherword, the afterworld, so it seemed appropriate that two people from the Neptune Society arrived to take his body away. He wanted to be cremated, his ashes scattered at sea, and that’s what the Neptune Society does.
After they took his body away, I sat outside in the dark courtyard, and talked to him in my head. I thanked him for being the father he was. I called a friend and told her what I was feeling. And off to my right, I saw the Cosmic Clown – not a Stephen King horror, but a kinder version who opened his arms, and whispered, “He’s here, always here, as close as your focus and need.”
And ever since, that has been my experience. The Cosmic Clown may laugh at us, but he/she always laughs with us as well, delighting in our discoveries.
This is the trickster I know, the Cosmic Clown I acknowledge. Teacher, muse, buddy, ally.